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Jonathan Lethem’s essays reveal surprising influences on his fiction. By Stuart Kelly. National Book Critics Circle Award Finalist A New York Times Notable Book A Best Book of the Year —Austin American-Statesman Includes a new, previously. The Ecstasy of Influence: Nonfictions, Etc. (Vintage Contemporaries) [Jonathan Lethem] on *FREE* shipping on qualifying offers. National Book.

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We are experiencing technical difficulties. This book however isn’t of that quality. Nam sodales mi vitae dolor ullamcorper et vulputate enim accumsan. When some pompous twit can only tell me that it was a book reviewed two weeks ago thr the New York Times and then gives some condescending look when I have no idea which book they are talking about, it doesn’t bother me ok, this rarely happens, but it happened right before Christmas and I wanted to laugh tue the man and tell him I don’t give a shit what the NYTBR says about anything, I didn’t though, and it turned out to not even be a book, but an essay that wasn’t about any particular book and trying to explain this to the man was a failure and he called me some name and I said something back to him, and you’re the dumb ass who can’t understand what he read.

Table Of Contents i: Shit I have to go back and check nope I’m notI mean you can just skip going to a footnote, but if you want to try to read this review you’ll have to navigate these asides. They show a wide range of influences including renaissance and romanticism. He comes across as very honest, although what he says could be a momentary belief that’s liable to change. I devoured this fairly long collection in two days of doing influuence other than restlessly reading these essays and rereading select passages, armed with a leaky ballpoint pen to underline the many fascinating sections, the names I sort of knew but hadn’t gotten around to exploring, jontahan many endearingly awkward sentences.

Goodreads helps you keep track of books you want to read. The wildly eclectic collection also included several articles on music that really made me wish I knew more about music.

What I’m finding is that I’m way more into the themes jonathqn Lethem’s non-fiction, and how he articulates them, way more than in his fiction. Lethej plagiarismthe author demonstrates his views on adopting ideas and how people call the activity as plagiarism or not. Then he got extremely sensitive lf Android was using multi-touch.


The Ecstasy of Influence: Nonfictions, Etc.

Readings — From the March issue. Lethem provides a key immediately afterward that he introduces jonathna way: The music section, especially, is very, very good — it includes a massive article Lethem originally wrote for Rolling Stone about James Brown, as well as a piece about Bob Dylan. Steerforth Press, meaning well, has made it as likely that a reader curious about Dawn Powell will come out of a bookstore clutching the glum early volumes set in Ohio or the misfiring The Happy Islandas that they’ll snag Turn, Magic Wheel or The Locusts have No King.

I also don’t like book reports.

Can’t he stick to I was truly not too fond of this book. But once we get beyond the necessity for that black-and-white thinking, it become clear exstasy of course, we are all influenced by our predecessors, and of course, all the words we use have been used an almost infinite number of times before.

I give it three stars because my admiration of Lethem and less than real feeling of connection to him won’t let me give it less.

jonatha Some are memories of college days or being a young author. The same might be said of all art. Influwnce has put himself out in the world, in book form. Lethem ingeniously imagines this straw-man postmodernism as Lee Marvin’s character amoral, brutalisingwho everyone thinks is shot by Jimmy Stewart in the guise of anyone from Carver to Franzen ibfluence, with the critic as John Wayne’s secret assassin. Having re-read the review in question, I’m just surprised Lethem didn’t keep his powder dry for Michiko Kakutani instead.

He falls down and the readers get to see it happen. In the jonqthan of literature, some writers might call similarities of ideas as plagiarism. I sort of agree with Nancy in that I too am not sure how someone could come up with a percent original idea. Sep 08, Kristina Aziz rated it it was amazing. Dick who is rightly attaining momentum these days to be considered classical.

View all 10 comments. Once fangirling mode is activated like L Bangs Lethem gets in a lather and is less convincing the several novel introductions or music pieces are bores and shoulda been weeded. Please do stay”, “yes, I am the person who made that weird thought go into your head. Still, there is a lot here, so you may not want to do what I did and plow through it from beginning to end, skipping or skimming here and there, but always moving forward lethhem perhaps I should have let myself hop around.


The name of the girl supplies the title of the story: Think about how you think about ideas. By the end I felt that I was too much in his ecstsy

The Ecstasy of Influence by Jonathan Lethem | : Books

They’re exactly what we probably want from writing on literature and film, but so rarely indluence. Lethem recalls he didn’t think much of it at the time, because somehow he understood that it wasn’t supposed to be jonathzn.

Ut convallis euismod dolor nec pretium. I don’t like boring book reviews, and I generally don’t like being told by a reviewer if they would recommend the book or not. Patsy Cline and Billy Lee Riley.

Within the next couple of years, we had both sold our stories to the same small press magazine New Pathwayspublished out of Plano, Texas, not Austin as Lethem recalls it herein. And the few others I’ve read have done very little for me.

The Ecstasy of Influence by Jonathan Lethem –review

There were a couple that didn’t hold my interest—mostly the short fiction, which I simply wasn’t in the mood for when I picked up this book I’ll come back to itbut also stuff that I wasn’t sufficiently familiar with to want to spend time with the essay, fo when he uses the film, The Man Who Shot Liberty Valance as an allegory for postmodernism, I influencee skimmed that essay because I have not seen the film though it is on my list now.

And he loves to gush and his gushing is infectious.

Will that reader try twice? Lethem is an amazing writer, and it was fun to get a sense of his background and jonwthan ideas he has about literature. Nunc ut tristique massa.

It’s great for him, as a novelist, that he can get paid to write nonfiction too, but it’s not all great for me to read. Fiction — From the October issue. This collection is fantastic.